within the overdue 60s and early 70s the inherent weirdness of folks met switched-on psychedelic rock and gave delivery to new, unusual different types of acoustic-based avant garde song. Artists on either side of the Atlantic, together with The awesome String Band, Vashti Bunyan, Pearls prior to Swine, and Comus, mixed candy depression and modal melody with shape-shifting experimentation to create sounds of unsettling oddness that usually move below the identify acid or psych folks. some of these artists – particularly the String Band, who truly made it to Woodstock – accomplished mainstream good fortune, whereas others remained resolutely entrenched underground. yet through the mid-70s even the larger artists came upon revenues dwindling, and this odd hybrid musical style fell profoundly out of favour. For 30 years it languished in obscurity, it seems that past the reaches of cultural reassessment, until eventually, within the mid 2000s a brand new iteration of artists jointly tagged 'New bizarre the US' and spearheaded via Devendra Banhart, Espers, and Joanna Newsom rediscovered acid and psych folks, respected it and from it, created whatever new. thank you partially to this new flow, many unique acid and psych folks artists have re-emerged, and unique copies of infrequent albums command excessive costs. in the meantime, either Britain and the US are domestic to intensely leading edge artists carrying on with the culture of delving at the same time into modern and standard types to create whatever detailed. Seasons they modify tells the tale of the delivery, demise and resurrection of acid and psych folks. It explores the careers of the unique wave of artists and their modern equivalents, discovering connections among either sessions, and uncovering a formerly hidden narrative of musical adventure.